Yuko Mohri - Camden Art Centre

Tokyo-based artist Yuko Mohri took up residence at Camden Art Centre in late August 2016.

Producing installations that convey intangible energies such as magnetism, gravity, light and temperature, Mohri creates assemblages of reconfigured everyday items and machine parts collected in cities around the world. Mohri was the Grand Prix winner of the 2015 Nissan Art Award. Her residency in London was part of her award, organised in association with Arts Initiative Tokyo who Camden Art Centre have worked with on a series of residency exchanges.

 

Images Related Events Events The Artist

Talk: Yuko Mohri and Agnieszka Gratza

Wednesday 19 October (2016)
Writer Agnieszka Gratza talked with residency artist Yuko Mohri about her work which looks at ideas of flux, instability and intangible energies.

Agnieszka Gratza is a writer based in London. Her writings about art, performance and film have appeared in frieze, ArtReview, Artforum, Flash Art, Metropolis M, PAJ, Sight & Sound, The Guardian and The Observer. She has published articles on the subject of Renaissance intellectual and cultural history and her written work often stems from live art and performance.

 

In Conversation: Jason Waite and Yuko Mohri

Friday 6 July, (2016)
White Rainbow, London W1W 8HJ

Camden Art Centre and White Rainbow presented a talk between the independent curator Jason Waite and Yuko Mohri. Mohri and Waite discussed their work and reflect on the social imaginaries of contemporary Japan, with particular reference to artists’ practices following the Fukushima Nuclear Disaster in 2011.

Jason Waite is an independent curator and cultural worker focused on forms of practice producing agency. Recent projects have centred on working in sites of crisis amidst the detritus of capitalism, looking for tools and radical imaginaries for different ways of living and working together. He has co-curated Don’t Follow the Wind an ongoing project inside the uninhabited Fukushima exclusion zone in Japan; The Real Thing?; Palais de Tokyo, Paris; Maintenance Required, The Kitchen, New York, and White Paper: The Law by Adelita Husni-Bey at Casco, Utrecht. He holds an M.A. in Art and Politics from Goldsmiths College, London and was a Helen Rubinstein Curatorial Fellow, at the Whitney Museum Independent Study Program, New York 2012-13.

White Rainbow is a non-profit organisation based in central London which champions the work of emerging and mid-career contemporary Japanese artists, spotlighting artistic practices underrepresented in the UK. The gallery supports work in a range of media, with particular focus on performance, film and installation-based practices.

The Artist

Yuko Mohri (b. Kanagawa, Japan, 1980) lives and works in Tokyo. Mohri’s recent solo exhibitions include: Towada Art Center, Aomori, Japan (2018); The National Museum of Modern Art Kyoto, Japan (2018); WhiteRainbow, London (2017); Jane Lombard Gallery, New York (2016); Project Fulfill Art Space, Taipei (2016). Mohri’s work has been included in the following group exhibitions: Asia Pacific Triennale, Brisbane, Australia (2018); Sensory Agents, Len Lye Centre, New Plymouth, New Zealand (2018); Childhood, Palais de Tokyo, Paris, France (2018); Going Away Closer,  Spiral Garden, Tokyo, Japan and Centro de Arte Contemporaneo Wildredo Lam, Havana, Cuba (2018); New Japan, Solyanka VPA, Moscow, Russia (2018); Sapporo International Art Festival, Hokkaido, Japan (2017); 14th Biennale de Lyon (2017); Japanorama: New Vision on Art since 1970, Centre Pompidou-Metz, France (2017); Kochi-Muziris Biennale, India (2016); Yokohama Triennale, Kanagawa, Japan (2014). The artists’ work is in the following collections: M+, Hong Kong; Musée d’art contemporain de Lyon, France; Museum of Contemporary Art Tokyo, Japan.