Event

Introductory Talk: Nathalie Du Pasquier & Christian Nyampeta

28 September 2017


Nathalie Du Pasquier and Christian Nyampeta talk with Stella Bottai, Programme Curator at Stanley Picker Gallery, about their new exhibitions. 

Free, booking is essential 

Stella Bottai is Programme Curator at Stanley Picker Gallery, Kingston University London, where she curates the Gallery’s programme of commissions, exhibitions and events. Recent exhibitions include 31 Candles: Jessi Reaves feat. Bradley Kronz, and P!CKER curated with P!, showcasing work by the late Elaine Lustig Cohen and Céline Condorelli. Between 2015-16, she focused on in-depth research and writing towards Goshka Macuga’s solo exhibition and artist monograph at Fondazione Prada, Milan (2016). She was Associate Curator of Over you/you, the 31st Biennial of Graphic Arts, Ljubljana (2015) and has previous experience working as Curator, Fiorucci Art Trust, London (2014-15); Assistant Curator, Frieze Projects London (2013-14) and Assistant Curator, Serpentine Galleries Public Programmes (2012). Prior to completing an MA in Curating Contemporary Art at the Royal College of Art (2013) she worked at White Cube, London (2006-09). 

Nathalie Du Pasquier was born in Bordeaux in 1957 and relocated to Milan in 1979. Until 1986, she worked as a designer and was a founding member of the design group Memphis. In 1987 painting became her main activity. Between 1989 and 2008 she worked regularly with Le Cadre Gallery, Hong Kong, allowing her to develop from her early still lifes to more abstract compositions. Her work has been the subject of solo exhibitions, including The Fruitmarket Gallery, Edinburgh (1992) and Pace Gallery, London (2017). The first comprehensive exhibition of Du Pasquier, curated by Luca Lo Pinto was held at Kunsthalle Wien in 2016 and a second iteration will take place at the ICA Philadelphia in September 2017. 

Christian Nyampeta creates fictions, models, dialogues and commentaries, concerned with the difficulties of being in common. Recent contributions include Intimate Trespass: Hapticality, Waywardness, and the Practice of Entanglement––A Study Day with Saidiya Hartman, organised by Dr Rizvana Bradley and the Serpentine Gallery; Now is the Time of Monsters. What Comes After Nations? at HKW in Berlin; and Displacement and the Making of the Modern World at Brown University, Providence. Recent exhibitions include Space Force Construction, the inaugural exhibition of the V-A-C Foundation headquarters in Venice, co-organised by the Art Institute of Chicago. Nyampeta convenes the Nyanza Working Group of Another Roadmap School Africa Cluster. He runs Radius, an online and occasionally inhabitable radio station, and he is a research student at the Visual Cultures Department at Goldsmiths, University of London.