Nathalie Du Pasquier

28 September (2017)
Nathalie Du Pasquier and   Christian Nyampeta talk with Stella Bottai, Programme Curator at Stanley Picker Gallery, about their new exhibitions.

Stella Bottai is Programme Curator at Stanley Picker Gallery, Kingston University London, where she curates the Gallery’s programme of commissions, exhibitions and events. Recent exhibitions include 31 Candles: Jessi Reaves feat. Bradley Kronz, and P!CKER curated with P!, showcasing work by the late Elaine Lustig Cohen and Céline Condorelli. Between 2015-16, she focused on in-depth research and writing towards Goshka Macuga’s solo exhibition and artist monograph at Fondazione Prada, Milan (2016). She was Associate Curator of Over you/you, the 31st Biennial of Graphic Arts, Ljubljana (2015) and has previous experience working as Curator, Fiorucci Art Trust, London (2014-15); Assistant Curator, Frieze Projects London (2013-14) and Assistant Curator, Serpentine Galleries Public Programmes (2012). Prior to completing an MA in Curating Contemporary Art at the Royal College of Art (2013) she worked at White Cube, London (2006-09).

8 November, (2017)

Artist Antoni Malinowski presents an illustrated talk on colour, space and time within the work of Nathalie Du Pasquier.

Antoni Malinowski is an artist who works with pigment, light, movement and time, investigating the dynamic relationship that exists between pictorial and architectural spaces. Malinowski works in a variety of media including painting on canvas and walls and video. His paintings have been exhibited internationally. Following his major solo exhibition at Camden Arts Centre, London in 1997 Antoni Malinowski spent several months as an Abbey Scholar at the British School at Rome researching  ancient Roman wall paintings. This triggered many collaborations with architects on permanent interventions in architecture. Last year Malinowski completed a large commission for the foyer areas at the Rafael Viñoly designed Mathematical Institute, Oxford. Spectral Flip is a two part mural painted directly onto the south and the north facing walls.

Various dates and times throughout the duration of the Nathalie Du Pasquier exhibition.

Dance performer Yong Min Cho transfered objects selected by Du Pasquier throughout the galleries.

15 – 29 November (2017)
In response to the current exhibitions, this three-week course led by Stephanie Sutton examined how artists, designers and architects have responded to and often challenged dominant forms of urban and social space. Taking a chronological approach from 1945 onwards, it introduced the idea of space as socially ‘produced,’ constructed and often contested by different groups over time. Alongside examples from architecture and design history, participants also considered everyday practices which challenge and (re)produce space, such as playgrounds, self-build communities and local history groups.

Week 1 introduced key ideas on space and place, focusing on the post-war city, self-build communities and the ‘right’ to inhabit and occupy land.

Week 2 explored design for alternative living and sites of collective action. This session will consider how designers and practitioners were responding to shifting socio-political contexts, from post-war anxiety to the influence of pop culture in the making of radical alternatives.

Week 3 will examine how space can be represented, with a particular focus on the non-existent and imaginary. We will think about how different groups reimagine and relocate space and place.

Stephanie Sutton is a curator and researcher, working across art, design and architecture. Her research has focused on post-war architecture, urban history and the material culture of childhood. She has worked with organisations including RIBA, Focal Point Gallery, Camden Art Centre, V&A Museum of Childhood and the Royal College of Art. Stephanie holds an MA in Design History from the RCA/V&A and will be undertaking a collaborative PhD at Queen Mary, University of London and the V&A Museum of Childhood, entitled Adventures in the City: The Politics and Practice of Children’s Adventure Play in Britain, c. 1955 – 1997.